On Location: CBSN

Last week we were part of the CBSN Live Remote for the RED/BLUE show in Columbia SC covering all 23 Democratic Candidates. We were on air for over 6 hours with zero issues. We also gathered all the content for the show earlier in the week comprising many large political panels and interviews. With 18 years of experience in every type of audio field production we are able to work effectively for our clients in any situation. cbsScreen Shot 2019-07-02 at 1.00.42 PM.png

Tips When using a Zaxcom Wireless Camera Link

I think wireless camera links are the best advance in technology to happen to the location sound mixer because it gives you the freedom to do your job the best way you can, I have rarely had an issue with my zaxcom system but here is a list of things to do before shooting and a list of possible problems you may run into:


1. Make sure your camera man is always listening to the wireless feed via his camera headphone jack since you have no way of knowing what it sounds like.

2. Make sure all attennas and power cables are secure to the unit. The only issues I have ever had it a lose power cable or attenna.

3. Make sure the unit is secure in a saddle bag or BEC box. I have mine wrapped in velcro, which keeps them extra tight in the saddle bag or BEC box.

4. Have extra cables and attennas in case something breaks.


1. Unit will not power on: Check power cables are tight by removing them and reinserting them. Check batteries if your using them. Check Power Switch.

2. Unit is on but Camera Op hears no audio: Check headphone volume knob on camera, check transmitter in your audio bag, make sure camera is set up to recieve audio correctly.

3. Poor Range: Check to make sure tx and rx attennas are tight and secure, Make sure they are in good condition. Scan for new clear frequency.

With these simple tips and tricks your Zaxcom should preform well for you and make your job much easier.

The Boompole is always your best friend

It amazing me how much I have to fight to use the boompole sometimes. As an example on my current show we do alot of formal well lit sit down interviews in addition to on the fly interviews. This sitdown interviews are often very emotional and have caused the talent to starting moving alot while sitting and crying which has made the lav less than ideal in sound. By having the boompole set up for each of these sit downs I was able to deliver great sound without having to stop the interview because of an audio issue. Even though sometimes I am tired and don’t want to go get the C-stand and the mic mate but that is what I am hired to do get good audio and fight the good fight to get it. A shotgun microphone always sounds better than a lav and even though the lav may get ok sound it is my job as the sound mixer to get the BEST sound possible at all times and to never take the easy way out. I also get satisfaction from getting amazing clean high quality audio for at few hours everyday when I can and I know an editor somewhere will be greatful.