I am always trying to work the most effective way I can and having a spare recorder can never hurt. My primary recorder has always been a sound devices recorder and has always preformed well in all conditions. However sometimes I just need a simple recorder as a back up or to do a Mp3 transcription. So I picked up a used H2 for $100.00 a few weeks ago and have been very impressed with it. I have used it to record some mp3 transcriptions and per a clients request ran it as a back up for some ENG interviews. For the price it is an excellent recorder and is a nice addition to my equipment inventory.
New Equipment Added to Our inventory Denecke TS-C
To better serve my RED and Film clients I have added the premier time code slate in the industry the Denecke TS-C Slate.
This small but compact slate supports all frame rates and is back lit below is the denecke website information about the slate:
The Denecke TS-C is a compact full featured smart slate, capable of reading, generating and displaying SMPTE/EBU time code. Its new compact size makes the TS-C ideal for documentary work, insert shots, or anywhere a big slate is too cumbersome. The TS-C jams to all standard frame rates, including 23.976 for HD. The TS-C reads and displays off speed time code used in special situations such as music video playback. The time code reader mode works with both ascending and descending time code. The TS-C is the first Denecke product to support Aaton serial communication! The precision TCXO combined with a 16 BIT microprocessor ensure extremely low drift and high accuracy. The standard EL backlit face plate is helpful in low light situations. The new Denecke TS-C compact slate is affordable priced. Your choice of black and white or color clapper sticks.
When to use 48.048
Great Article By Julian Daboll on Trewaudio.com
Below are the main 4 point please visit the link above for the full article
Here are 4 rules of thumb that determine whether or not 48.048 kHz workflow is possible in your project, and how it must be used. These are:
Rule # 1: That 48.048 kHz workflow only works if picture is being shot at true 24 fps, and picture and sound editorial is being done in NTSC 29.97 or 23.98 HD video.
Rule # 2: That 48.048 kHz workflow only works when the project is finishing and releasing on video (not film).
Rule # 3: That 48.048 files are only useful if they are stamped using –F mode.
Rule # 4: Sound Editorial must agree that it’s a good idea to use 48.048 kHz sound, and the producers and post supervisor must agree with them.
My R12 Cart
Well I got my R12 cart earlier this week along with the Top Shelf and deck lid. The cart is very well built and easy to use, However both shelves aren’t as well built. The bottom shelf mounting points were slightly off so I had to trim them with a handsaw not a big deal but they should have fit. The top shelf is mounted to the frame via four “U” shaped mounting points which are well built they are secured to the frame of the cart via some bolts and wing nuts. However I found the bolts provided were barely long enough so I went to my local home hardware store and bought some longer bolts which made it easier. I also bought some hooks which i drilled holes in and used some other mounting points on the frame to secure. Overall I think the cart is a good value and will work well for now when I need a cart to move cases and work from. In the future I see this cart becoming my utility cart in the future as my need for more space grows.

Adding a Sound Cart to my Package
As someone who is very diverse in the types of work I do I am always looking add equipment to my package to make my life easier. After doing a number of studio and commercial shoots this year. I realized it was time to get a sound cart my goal was to find something that was easy to breakdown since I don’t have a large van or truck but stable enough to safely hold all my gear. After much research and advice seeking I decided to add Rock n Roller R12 equipment cart with solid run flat tires. This cart supports up to 500 lbs and has 8 different configurations all for under $250.00 including shipping. I was advised to make sure to get the run flat tires by many users. I then purchased the deck lid and shelf system for about $100.00 which gives me a good area to work from. The cart weights less than 35lbs and folds small enough to fit in a car trunk or even ship even needed. It can be built in either a small or longer configuration depending upon my needs. The cart should arrive next week and I will post a better review after I get it but I am excited.
